- Our Mutual Friend – Charles Dickens. This was my first Dickens, and so it retains a special place in my heart. It’s sprawling, melodramatic, often sentimental, sometimes angry, and altogether wonderful. And it features one of Dickens’ most spirited heroines: Lizzie Hexam.
- Pride and Prejudice – Jane Austen. I also love Northanger Abbey and Persuasion, but Pride and Prejudice takes the crown because of Elizabeth’s spirit, and because Jane and Bingley are simply charming.
- Titus Groan – Mervyn Peake. This is a remarkable novel that smushes together Dickensian caricature and Gothic menace. Threatening, ponderous, hypnotic.
- Frankenstein – Mary Shelley. Every politician should read this. It’s a stark warning about the consequences of social isolation, the folly of oppression, and the perils of hubris.
- Paradise Lost – John Milton. Milton’s verse is a revelation (hah): resonant, spirited and grand, and surprisingly accessible to a modern reader.
- The Mysteries of Udolpho – Ann Radcliffe. Much like Titus Groan, this is a novel that draws you into its melodramatic world and won’t let go: a lush and richly described work full of foreshadowings and pathetic fallacies and moustache-twirling villains.
- Evelina – Fanny Burney. Burney was a sort of proto-Jane Austen, and her first novel is her best: an epistolary tale of a young woman in London for the first time, it combines social comedy with, um, high melodrama. (There is definitely a theme to this post.)
- The Tempest – William Shakespeare. My favourite Shakespeare play varies wildly depending on the version I’ve seen most recently. But The Tempest is definitely up there for its elegiac tone, and the way its action takes place in strange boundary states, between the sea and the land, between the city and the wilderness, between life and death.
- Heart of Darkness – Joseph Conrad. I’ve only read this once, at university: but I loved the lush menace of Conrad’s writing, the gathering sense of dread as we advance along the Congo.
- Morte Darthur – Thomas Malory. I’m a sucker for Arthurian stories, and though Malory’s Arthurian cycle was by no means the first version of the Once and Future King’s story (or the best), it’s certainly been one of the most influential on Western literature.
(The prompt for this post was suggested by the Broke and the Bookish’s weekly meme Top Ten Tuesday.)